April 06, 2014

Artefacts of Reality - Matthew Albanese

Wildfire - Matthew Albanese

Recently, I reflected a lot about childhood memories and things that had an influence on me in my youth.
I guess when you're in your early 30ies, many people start to look back on their lives seriously for the first time. It can be a very melancholic trip into the past, remembering what we loved or hated most in our childhood, what we managed to workout, people who always stayed with us or friends we lost sight of them.
During my studies on Scenographical Design or research for my blog, I saw the works of some artists who specifically try to create images or parallel realities that capture moments from their childhood or variations of memories. Some photographers turn into model makers who recreate environments that are dealing with real historical background and events, but with their very own tone and often surrealistic moods (for example Paolo Ventura, Alan Rolfson, or Jiang Pengyi - I wrote about them some time ago..).

I very like the idea of "recreating memories". 
Instead of carrying around pleasant or unpleasant memories from your early days with you, you can visualize them, make them visible and create something new simultaneously. I think it's the same thing which is always a part of creative processes. But sometimes photographers, painters or writers as well are bold enough to focus on the pure mood of these specific moments in their work. When you look at it, you may be fascinated, confused or touched by very subtle feelings. 
Similar to a typical David Lynch movie - you can feel the presence of strange ghosts and moods which seem to come directly from a stranger's mind, and at the same time the story and basic elements are set in our reality and physicality as we (seem to) know it.

Strangely, the very first artist who catched my eye when I started this blog, was Matthew Albanese indeed. 
For some reason, I never managed to write a post about him and his phenomenal work until today. I admire his work because it's quiet exactly this kind of model and photography work I always wanted to experiment with. During my studies of Scenographical Design, I had the opportunity to create some small scaled "alternative realities" which I partly based on childhood memories and moods I wanted to express. I was very fascinated by it and Albanese's work is the perfect advancement of this experimental work.
Of course, his work is epic and far more sophisticated than mine. You can clearly notice his professional background as a photographer and the enormous efforts he put into this studio work.
 
I don't want to say or explain too much about this selection of images, just look for yourself.. ;-)


A New Life # 1 - Matthew Albanese
After the Storm - Matthew Albanese

A New Life # 2 - Matthew Albanese

A New Life # 2 (Making of) - Matthew Albanese

Box of Lightning - Matthew Albanese

Dead little things - Matthew Albanese

Breaking Point - Matthew Albanese

Breaking Point (Making of) - Matthew Albanese

Wildfire (Making of) - Matthew Albanese

Tornado - Matthew Albanese


All images above @Copyright Matthew Albanese

http://www.matthewalbanese.com/

April 03, 2014

Once upon a time in space - David DiMichele

David DiMichele - Pseudodocumentation / 1


The D-Word

What is your personal definition of the word "dimension" ?

Honestly, it's one of my favorite words, even if I don't use it that often. Surely, that comes from my lifelong passion for science-fiction and its various connection to the D-word. It could mean anything, in so many different ways. You could get reminded immediately on issues about space travel and wormholes. And especially if you're a true Trekkie like me, you think on Kirk, Spock, Data and Co., who were dealing with all these complex problems, involving "dimensions" in a very scientific sense.
Speaking of the realms, deep in space, I'm trying to imagine what my self-written plot of a Sci-fi movie would be like. What kind of story would I like to tell ? Is it just about traveling into space or through spaces ? Diving into some completely different kind of spaces, spaces which have an influence on the travelers themselves ? Is it about the journey into space or the connection between the places and subjects and travelers ?
As you can see, even thinking about the D-word seems to be some kind of exploration that makes the whole thing so fascinating and obviously endless. Or are there any boundaries ? Because our minds get easily caught in one big loop as well ?

Well, when abstract theoretical journeys start to go in circles, you need one or two fixed points. Real facts that are definite. Or a picture. And there we are.
Looking at a stunning, unique picture can lead to many more questions, or, it can end all discussions at once. In a silent, but effective way.

This time I want to introduce you a photographer and artist who gives the D-word a real, visual meaning. At least in my opinion. I always liked the phrase "where no man has gone before.." Yeah, of course only a trekkie can say that. But i mean it in a different, more subtle way. David DiMichele uses modeling and photography to illustrate the D-word in a very unique, impressive way.
Maybe you don't think that much about space travel and astrophysics when you look at these amazing pictures. But I do. I see new realms and dimensions within or outside our known universe, where impossible things seem possible and ordinary order implodes. Just like that. I love it.


David DiMichele - Pseudodocumentation / 2
David DiMichele - Pseudodocumentation / 3
David DiMichele - Pseudodocumentation / 4
David DiMichele - Pseudodocumentation / 5
David DiMichele - Pseudodocumentation / 6
David DiMichele - Pseudodocumentation / 7
David DiMichele - Pseudodocumentation / 8
David DiMichele - Pseudodocumentation / 9
David DiMichele - Pseudodocumentation / 10
David DiMichele - Pseudodocumentation / 11


All Copyright for the pictures above - @David DiMichele

www.daviddimichele.com